An architectural microcosm that welcomes the body and soul
In the realm of design, seating is much more than a mere functional element: it represents a point of contact between body and space, where the act of sitting down becomes a primary action of inhabiting. In every chair or armchair, the architect condenses a worldview, expressing through shapes and materials not only the idea of rest, but a reflection on space and society. Renowned is the statement by British architect Peter Smithson, who defines the chair as: a miniature city, a place that reflects the complexity of urban and social life.
Among the objects that exemplify this fusion of philosophy and functionality is the Milano armchair, designed by Paolo Lettieri for the studio 29 MILANO. More than just a seat, it presents itself as a personal refuge, an aesthetic icon that responds to its time, transforming into a symbol of introspection and comfort. The design of the Milano armchair seems to perfectly embody the concept that Smithson had theorized.